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![]() ![]() Related: Where To Watch 1992's Buffy The Vampire Slayer (Netflix, Hulu Or Prime) Season 2, Episode 22, "Becoming: Part 2" Sex is often used to distinguish that a person is growing up, but it goes much further for Buffy who now must be responsible for slaying the man that she loves (soon to get his own spinoff, the Angel TV show), as the demon inside of him goes on a vicious rampage because she doesn't know how to bring Angel's soul back. It also marks a distinct shift with Buffy who has to suffer as Angelus mentally tortures her and physically tortures her friends. Whedon is a fan of this episode because Buffy's decision to sleep with Angel, her vampire boyfriend, is the catalyst for the phenomenal second half of the second season, but the episode does more than just that. After he and Buffy sleep together, he has his soul taken away again because of his love for Buffy. The curse is designed to take his soul away again if he ever has a moment where he feels truly happy. In "Innocence," Buffy and Angel have sex, which results in the 271-year-old Angel having his first moment of true happiness in the hundred years since he got his soul back. Buffy the Vampire Slayer has 144 episodes, and here are Whedon's top favorites. Related: James Marsters Favorite Episodes Of Buffy The Vampire SlayerĪs a result of Whedon's creation, an entire generation of young women finally got to grow up watching the little blonde girl kick the monster's butt for a change. His design stemmed from one particular idea he had where a little blonde girl and a monster walk into a dark alley, and the young girl, as Whedon put it, is " not only ready for him, she trounces him." He was tired of watching horror movies and seeing the girl always getting killed, so he decided to tell a different kind of story. Throughout the show's seven-season run, audiences watched Buffy (Sarah Michelle Gellar) grow up and show everyone that a young teenaged girl, and then a woman in her early 20s, could be a superhero.īuffy the Vampire Slayer was a reimagined version of Whedon's original Buffy the Vampire Slayer film. Buffy the Vampire Slayer premiered on March 10, 1997, and everyone who has seen all seven seasons of the show has a few episodes on their list of favorites, but what episodes are creator Joss Whedon's top picks? Buffy centers around a teenage girl who discovers she is the prophesied "Slayer", tasked with keeping everyone safe from demons and other supernatural creatures and forces that are constantly working to end the world. ![]() ![]() ![]() ![]() When Stax went bankrupt in 1975, Taylor moved over to CBS/Columbia, debuting in 1976 with the album Eargasm. Taylor was able to land some decent-sized follow-up hits in the years to come, among them "Take Care of Your Homework," "Jody's Got Your Girl and Gone," "Steal Away," and "I Am Somebody." By the early '70s, Taylor's bread and butter had become smooth, elegant crooning, as typified by his 1973 album Taylored in Silk and his two attendant ballad smashes, "I Believe in You (You Believe in Me)" and "Cheaper to Keep Her." He returned to the Memphis area and signed with the enormously popular Stax label in 1965, debuting early the following year with "I Had a Dream." Taylor scored a few minor R&B hits over the next few years, including "I Got to Love Somebody's Baby," "Somebody's Sleeping in My Bed," and "Next Time." He hit it big in late 1968 with the gritty, funky "Who's Making Love," his first number one R&B hit, which also made the pop Top Five. Taylor released a few singles on Sar and another Cooke label, Derby, over the next few years, including the minor R&B hit "Rome (Wasn't Built in a Day)." Unfortunately, Cooke was murdered in late 1964, and his labels folded, leaving Taylor without a record deal. In 1957, Taylor would replace Cooke in the hugely influential Soul Stirrers, after Cooke departed for a career in secular music.Īfter four years with the Soul Stirrers, Taylor escaped gospel music's waning popularity and followed Cooke into the world of secular soul, becoming the first artist to sign with Cooke's label, Sar, in 1961. In 1953, Taylor left home and moved to Chicago, where he joined the doo wop group the Five Echoes shortly thereafter, he began performing concurrently with the gospel group the Highway Q.C.'s, which had once been home to Sam Cooke. He began singing in church as a young child and later moved to Kansas City, where he performed with a gospel group called the Melody Kings it was through this outfit that he initially met and befriended Soul Stirrers frontman Sam Cooke. Johnnie Harrison Taylor was born in Crawfordsville, AR, on (though he usually gave his birth year as 1938) he grew up mostly in nearby West Memphis. Taylor called Malaco home for over 15 years and kept on recording and performing right up to his passing in 2000. When the national hits dried up, Taylor wound up as one of the most prolific artists on the Malaco label, a refuge for many Southern soul and blues veterans whose styles had fallen out of popular favor by the '80s. Nicknamed the "Philosopher of Soul" during his Stax days, that version of Taylor is best remembered for his 1968 R&B chart-topping smash "Who's Making Love," but far and away his biggest success was 1976's across-the-board number one "Disco Lady," the first single ever certified platinum (which at the time meant sales of over two million copies). Young gospel phenom, gritty Stax/Volt soulster, lady-killing balladeer, chart-topping disco king, Southern soul-blues stalwart - Johnnie Taylor somehow always managed to adapt to the times, and he parlayed that versatility into a recording career that lasted nearly four decades. ![]() |
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